escapekit:

Wardrobe Snacks

A collaborative project between photographer Kelsey McClellan and prop/set stylist Michelle Maguire, the duo conceived of wardrobes that would perfectly match various foods.

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archatlas:

The Art of Elsa Bleda 

Elsa Bleda was born into movement, crossing continents in the turning tides of her mother, the artist. What does it mean to form connections through the heightened beauty of transience? To be half-way down the mercurial street before the light can gather to hold you? Some things may get left behind, remain as spectral after-effects of a vital acceleration into the world, but other things congregate and move with you at your pace; sights and sounds and textures, multiple influences to draw upon in self-definition.  

Perhaps these rhythms are why she is so drawn to the spaces of Johannesburg’s night- the way they hold the traces of encounters in their quietening reverberations; speak to the tensions of leaving and arriving, and to all the different ways that a life can be lived. 

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archatlas:

Something in the Way: A Brief History of Photography and Obstruction

This exhibition of works from NOMA’s collection explores photography’s relationship to the world through a diverse selection of photographs that include obstructing elements or remind us that the photograph itself is often an obstruction to the real world. 

Identified from the top:

• André Kertész, “Paris 1929 (Broken Plate).” Courtesy of New Orleans Museum of Art/Museum Purchase through the National Endowment for the Arts Grant
  
•  Tseng Kwong Chi, “New York, New York,” 1979. Courtesy of New Orleans Museum of Art/Gift of Steven Maklansky 
  
• Andreas Feininger, “The Photojournalist,” 1955. Courtesy of New Orleans Museum of Art/Museum Purchase, The National Endowment for the Arts Grant  
  
• Brett Weston, “Building Façade through Barbed Wire,” 1968. Courtesy of New Orleans Museum of Art/Gift of Mrs. P. Roussel Norman
  
• Albert Renger-Patzsch, “Das Bäumchen,” 1929. Courtesy of New Orleans Museum of Art/Museum purchase, Mr. and Mrs. H. Blumenthal Fund
  
• Judith A. Steiner, “Untitled (Foot and Concrete),” 1981. Courtesy of New Orleans Museum of Art/Gift of Judith A. Steiner
  
• Bernard Voita, “Melancolia,” 2014. Courtesy of New Orleans Museum of Art
  

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